Tag Archives: writing experience

Are you itchy or anxious?

So have you been taking a short break from writing over the festive period or has the short break suddenly become a bit too long? Have you slipped into ‘just another mince pie and glass of Prosecco please’ stupor, promising yourself you’ll get back to it tomorrow or maybe the next day or even next week.

I think Writers only write because they have to. The first draft is like pulling a tooth while scratching your skin with nettles. The second draft will be better, you promise yourself. At least the itchiness has gone but not the anxiety as you wait for your notes from your beta reader. And when they come, you wonder why you bother putting yourself through all this torment. Even Agatha Christie’s fictional character, Ariadne Oliver comments that she’d rather solve a murder than have to write one.

This comment from a writer who taught a creative writing class sums it all up. A couple of her students achieved considerable publishing success in a short time. At the end of the term, she asked what writing projects the class was planning, expecting the successful ones to be brimming over with enthusiasm. She was disappointed at their response – “It’s not guaranteed that we’re going to sell everything we write, so we’re going to give it up.” And the teacher’s reply? “I wish I could!”

You’re in it for the long haul, so stop complaining. Get on with it. Don’t procrastinate, don’t waffle, don’t stand on the side lines or the bathroom scales, lamenting the box of chocolates you’ve just ate. Even if it’s only a line in your diary – write something every day. I wish you all the best for 2019 – This is going to be a very interesting year and if you don’t know what the Chinese said about that adjective, check it out below. Be Happy and Write!

https://www.phrases.org.uk/…/may-you-live-in-interesting-times.html

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In with the new, hang on to the old

Excuse the paraphrasing but why get rid of the old just because it’s a New Year. It’s only a way of keeping time not like anything drastic happens except if your birthday’s right bang at the beginning, then you could be entitled to feel a bit down in the mouth just because you’re another year older and haven’t finished that great masterpiece that was going to win you fame and fortune but worse than not finishing is never having started at all.

Forget the resolutions – which always look a bit like you’ve never done anything with your life until the 1st of January, year whatever and are usually so draconian you’re never going to keep them anyway. Instead of looking forward into the unknown with a list as long as a mile or kilometre, depending on your preference for imperial or metric, time travel back to the 1st January 2015. Where were you at in your writing ambitions and now fast forward 12 months and see what you have achieved. A word of warning, if you’re measuring success by having a three book deal with Random House and a film option with Steven Spielberg, this is not the blog for you.

If you’re going to carry on doing what is one of the most difficult jobs in the world, except for being perhaps a trainer in a flea circus, you need to value yourself and what you’ve achieved and resolutions just seem like whipping yourself for no reason at all. And we writers are very good at doing that already!

Who have you met that inspires you, makes you want to write? What books or films have you seen that have changed the way you think? What skills have you learnt or honed to help you and can you see the difference?

The only resolution worth making is to avoid anything negative and in the face of difficulties such as rejection – usually by people who don’t know what they’re talking about, resist tears, four letter words and sinking into black dog depressions.   Do not compare yourself with more successful acquaintances – as someone very dear to me once said “You’re doing different things,” and instead search out anything that makes you feel better – things that have gone well, phrases you’ve plucked from the air in a moment’s divine inspiration, images you’ve caught from the corner of your eye that have seared your writer’s soul and will return to haunt you until you bring them alive with words and then, there’s that old standby for when you’re questioning your sanity – quotations by writers but don’t make a habit of it, in case it becomes a bad one. It can amuse, divert and also make you realise you’re not totally alone in this profession we’ve chosen but it’s not a replacement for writing.

So, for today, here’s my quote:  “In the writing process, the more a story cooks, the better.” Doris Lessing.

Happy exploits in your future writing.

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Shit Sandwiches and what made you cry when you were eight years old

It was eleven pm and I’d finished a few hours working on a difficult part of my children’s novel.  I’d run out of steam and my eyes were hurting.  It was time to call it a night but the siren call of the internet, which I’d ignored all day, stopped me closing the system down. Ten minutes emptying my in-box was just good housekeeping and there might even be something important and life changing in there. Peculiar how you convince yourself to ignore your tired eyes and behave like a four year old who doesn’t want to go to bed in case they miss something.  But I was glad I did because I came across this post and it made a great deal of sense.

http://markmanson.net/life-purpose/

Mark Manson’s question ‘what kind of shit sandwich would you be prepared to eat to realise your goal or dream in life’, isn’t something I’d ever asked myself because my drive to write was so strong that I was prepared to take any amount of rejection in order to succeed – and at the time, success was getting published. But what happens in the low periods, when inspiration or the so called muse escapes you, what drives you then – that’s where your eight year old self comes into play.  Back then, when I scribbled stories in an old exercise paper, I had no idea of publishing; I wrote because just the very business of escaping into a world of make believe, all of my own making was worth it.  I wrote the kind of things I enjoyed reading, reproducing the pleasure and the excitement over and over again.  The writing itself was enough, even though it wasn’t very good but at the time I was happily ignorant of that. It wasn’t until I grew older and got distracted by puberty that I wrote less and when I returned to it at different times over the next few years, I’d find I’d hit a brick wall – not writer’s block – I just didn’t have the skills or the technique or the tools to carry on.

The shit sandwich of rejection that would be coming later, had a different filling  to the one I had to chew then – I had to write in order to find how to make my writing work now I could see that it wasn’t good enough, wasn’t convincing or credible and that my reader wouldn’t suspend their disbelief.   Looking back on things I wrote during that period, I can see some outstanding scenes and passages amongst the dross but at the time the sandwich of failure was hard to swallow.   It was excruciatingly painful.  You can take classes and join writers’ groups but the only way through this period is to keep on writing and I wanted to be a better writer so much I was prepared to do it.

If my eight old year self had been told I wasn’t any good and I should stop, would I have given up?  I don’t think so.  I was a very determined, bloody minded, ‘I’ll show them’ kind of girl – and maybe that’s what you need to keep going, because there are plenty of nay sayers along the way and plenty of cutting comments and the further you go in your career, the more vicious they can become.   So it might have made me cry but it wouldn’t have made me give up.   I’ve always taken heart from William Goldman, the writer of “Butch Cassidy and the Sundance Kid” who said “Nobody knows anything.”

In his blog, Mark Manson asks what kind of olive do you want to eat with your sandwich.  My olive has always been to get better at what I love doing because if I get better, then the chances of being published or produced are increased and also because at the end of a long day’s writing, I can go to sleep with an easy mind, a sense of fulfilment and  if I’m not too tired, a quick look at the internet.

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Filed under Rewriting, Writing and rejection

Never, ever, ever throw anything away.

NEVER, EVER, EVER, THROW ANYTHING AWAY

A writer I knew once, in the depths of despair after a snowstorm of rejections – like buses, they always arrive together – took every single thing she had ever written and made a bonfire in the garden and burnt it all, and swore never to write another word again.

First of all, let me make it clear, I was not this writer, as in “There’s this friend of mine …” I’m not a good liar, which is why I probably write fiction. Everyone knows you’ve made it up, so it doesn’t matter and you also get to practise the lying part. And secondly, if I ever set fire to everything I’d ever written, I’d need a far larger location than my garden.

But the thing I admired about my friend, the writer, was the certainty with which she could decide to destroy all that time and effort, all those ideas, all the emotional input and give up writing. I wished I could be that brave, that sure of never needing to get those infernal words out of my head. If you can stop writing and not miss it, then you are very lucky. I’ve taken breaks from writing and filled them with travelling, working abroad, jam making and allotments and finally children before I gave up and went back to writing, bizarrely when I had the least time of all.

Just because you’ve had something rejected many times over, doesn’t mean that there isn’t a market for it somewhere, (see Rejection and the Boomerang post). A few years ago, I wrote a short film script. It was a coming of age story and it attracted some interest but never got made. It garnered its own little pile of rejections but I’d rather have that than dust and then out of the blue, an opportunity presented itself. A friend needed a script for a group of actors. Did I have anything that would fit? I had something that was almost right – that coming of age story. Since writing the original, I’ve changed computers several times and whilst everything’s backed up on disks, it was much easier to open a filing drawer and put my hand on the script.

There’s something about hard copy that’s satisfying – the feel of paper in your hand and it’s harder to ignore or pass over in the way you can a title in a document file. You can’t delete it in a temporary angst driven aberration. Like my writer friend, you have to give it a proper funeral pyre and if you expend all your energy in blue sky thinking like me, that’s a deterrent in itself.

But when you unearth this old script, be prepared. It’ll be a bit like seeing yourself in an old photograph next to a mirror – you’ll have moved on a fair few years but it’s what’s inside your head that matters not the exterior and best of all, your story gets another chance and you, another bite at the cherry. So whatever way you store it, hang on to it – all that person power and imagination. Don’t consign it to the digital dustbin or add to global warming. Keep it safe.

“Last Tango” is now in post production at ALRA North, Wigan.

There’s a special summer offer on my Anthology, “Life, Love and Holidays” on Amazon – http://www.amazon.co.uk/Life-Love-and-Holidays-ebook/dp/B00B1EP2FC/ref=sr_1_2?s=digital-text&ie=UTF8&qid=1376140013&sr=1-2&keywords=Life%2C+Love+and+Holidays

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Filed under Film writing, Short films, Writing and rejection